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Tom Stoppard’s classic play turns ‘Hamlet’ inside out

The ’s 60th season continues with “,” a critically acclaimed 1966 play by Tom Stoppard. CSF’s producing artistic director  directs the production.

In this hilarious and mind-bending comedy by the Oscar-winning screenwriter of "Shakespeare in Love," "Hamlet" is brilliantly retold through the eyes of two minor characters. Rosencrantz and Guildenstern, two bewildered schoolmates sent to pull the Danish royal out of a descent into madness, grapple with fate, free will and the game of life.

In a unique twist, CSF will present “Rosencrantz & Guildenstern Are Dead” in repertory with “Hamlet” on the indoor University Theatre stage. The sets complement each other well, and the two plays share one cast, with each actor playing the same role in both productions.

Michael Bouchard.

“The feeling we're going for is that ‘Hamlet’ is happening just on the other side of the curtain, just around the corner,” Orr says. “I thought it would be a fascinating artistic journey not only for the actors but also for the audiences who will see both plays.”

The “Rosencrantz & Guildenstern” set, Orr explains, transports the audience to a backstage-like area where the title characters while away the hours flipping coins and playing cards as the events of Shakespeare’s “Hamlet” unfold in shadows behind a large cyclorama.

But for all its “Hamlet” references, Stoppard’s play is a very different animal. The language will feel more familiar to a contemporary audience, and the play is more comedy than tragedy. The pair of title characters, played by beloved babyֱ��app clowns  and , delivers an endless supply of intelligent banter and “Who’s on first?”-style routines reminiscent of Abbott and Costello or Martin and Lewis.

Sean Scrutchins.

“When you plop this humor into the context of something as heavy and serious as ‘Hamlet,’ it can be just ridiculous fun,” Orr says. “At the same time, it’s very chilling, since the title of the play gives away exactly what’s going to happen to the characters.”

Orr says designing this play alongside “Hamlet” director  was like “playing a game of three-dimensional chess.” They’ve both had to consider each other’s plays to make sure the two work together in repertory. Props must be strategically placed for the sake of continuity, and each cast member must treat every exit like an entrance to someplace else.

“We’re trying to put little Easter eggs into each other’s plays for audiences who will see both of them,” Orr says. “We want people to think, ‘If I could just lean over far enough, I could catch the other play.’”

While a fresh viewing of Shakespeare’s masterpiece heightens the humor in “Rosencrantz & Guildenstern,” Orr assures audiences that they need not know “Hamlet” or Shakespeare to enjoy the witty wordplay and hilarious misunderstandings in this production. 

“At its heart,” he says, “it's a story about two ordinary guys trying their best to navigate through life, just like the rest of us.”

“Rosencrantz & Guildenstern Are Dead” opens Saturday, July 22, with an audience preview on Friday, July 21, and runs through Aug. 13. Tickets start at $20, and limited quantities remain. Buy them online at , over the phone at 303-492-8008 or in person at the CU Presents box office, 972 Broadway, Boulder. The box office is open from 10 a.m. to 5 p.m. Monday through Friday and is located in the University Club building on the CU Boulder campus.