Published: Sept. 27, 2019

Truly Rural exhibit showing the word, "Truly."

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Artist Joel Swanson sustained his momentum over the summer months, adding to his chain of shows and awards both locally and abroad.

AnÌıassistantÌıprofessor with the ATLAS Institute, Swanson'sÌınewest commission, opened at the babyÖ±²¥app Convention Center in downtown Denver this summer.ÌıÌıAnother of Swanson'sÌıworks,Ìı"," continuedÌıstreaming through the summer onÌı, a 150-foot longÌıby 22-footÌıhigh array of 89 LED blades located in the lobby of the iconicÌı150 North Riverside building in Chicago.Joel Swanson stands by his

This summer Swanson also showed his work at the Glucksman, an art museum in Cork, Ireland as part of a group show entitled, “Peripheries,†which explored the relationship between literature and technology. Coinciding with Peripheries, he also gave an artist talk at the Electronic Literature Organization’s (ELO) annual conference, also held in Cork.Ìı

The future? Besides teaching digital art, media theoryÌıand the history of design for ATLAS'ÌıTechnology, Arts & Media (TAM) program, Swanson solo show, “Eight-and-a-Half by Eleven†opens in December at David B. Smith Gallery in Denver. The gallery is also producing a catalog / monograph of his work covering his work 2010-2020. In addition, Swanson isÌıworking on a projection mapping project, “Typography Choreographiesâ€Ìıfor the Clocktower in downtown Denver, commissioned by the Denver Theater District. The project has a plannedÌılaunch in early November.

Swanson’s essay on art and language will beÌıpublishedÌıthis winter by Tilt/West language. Another essay will be included in the book: "The Future of Text: A 2020 Vision," to beÌıpublished later this year. The project grew out of the annual Future of Text symposiums.

Swanson, whoÌıpreviouslyÌıserved as director of the TAM program from 2007 to 2016, has exhibited his work extensively, including the Venice Biennale 2017; Republic Plaza in Denver (solo exhibition through June 12); the Broad Museum in Lansing, Michigan; The Power Plant in Toronto; the North Miami Museum of Contemporary Art; and Denver’s Museum of Contemporary Art, where he had a solo exhibition.