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by Iván-Daniel Espinosa

Xiaojing Yan Is a first generation Chinese-Canadian artist who is “focused on how nature, an inherent force within traditional Chinese art, transcends culture”. (). She sources materials from the natural environment such as fungi, pearl and pine needles and in her words “reinvents them within a contemporary aesthetic and presentation”.

 When creating art projects, how do we avoid imposing an overarching narrative that stems from our own personal biases and viewpoints (Euro-western, privileged, Anthropocentric etc.) at the expense of honoring the complexity, messiness and interconnectedness of the subject at hand? 

In my journey as a Chinese-Canadian artist, my unique position at the intersection of cultures provides me with a distinct advantage. This dual heritage allows me to view subjects from multiple perspectives, drawing from diverse cultural values and histories. Through my lingzhi project, and others like it, I strive to harness this vantage point to foster deeper understanding and connection among viewers. Recognizing my own biases, rooted in personal experiences and cultural influences, has been fundamental. Regular introspection allows me to approach art with a heightened self-awareness. Additionally, my penchant for delving into history and identifying parallels offers an invaluable method to extract varied viewpoints, further broadening my perspective. Extensive research is pivotal to my process. With a dedication to comprehending the intricacies andinterconnectedness of my subjects, I aim to avoid over-simplification. Engaging with diverse topics, media and subject matter enriches my work. My artworks aren't didactic. Instead, they are imbued with open-ended narratives, inviting viewers to engage in active introspection. As we navigate an era often dominated by Euro-western, privileged, or Anthropocentric narratives, my dual cultural lens, combined with a passion for history and interdisciplinary exploration, enables me to present a unique, multifaceted perspective. Through my work, I aim to bridge diverse viewpoints, evoking a deeper appreciation for our rich, interconnected world.

How do you approach artistic collaboration? How can we create equitable collaborative environments in artistic spaces in which we and others can feel empowered and inspired to participate and contribute as our authentic selves?

Approaching artistic collaboration requires a foundation of mutual respect, trust, and open communication. To create an equitable collaborative environment, it's vital to actively seek and value diverse voices, ensuring that every participant feels heard and respected. Prioritizing inclusivity and being aware of power dynamics are essential. Listening actively, recognizing, and addressing any biases or preconceived notions allows for a more genuine exchange of ideas. We can empower all contributors by providing a safe space for creative expression, where vulnerability is welcomed and diverse perspectives are celebrated. Additionally, transparency in intention and purpose, alongside setting clear roles and expectations, ensures that everyone is aligned in their goals.

Upon looking at your website, one encounters so many nature-themed artworks and creations. How did your artwork become so nature-centric?? What events in your life inspired you to create so much nature-themed, nature-focused artwork?

My journey toward creating nature-centric artworks has its roots in my cultural heritage and personal experiences. As a Chinese-Canadian, I was nestled between two cultures, each offering unique perspectives on nature. The ancient Chinese philosophies emphasize the harmony between humans and nature, with the concept of 'Tao' underscoring the importance of balance. On the other hand, my experiences in Canada introduced me to the majestic landscapes, vast wilderness, and an inherent appreciation for the natural world. My encounters with the Indigenous cultures in Canada further expanded my understanding of nature. I was deeply inspired by their intrinsic connection with the land, their traditions and stories that have, for centuries, celebrated and revered the natural world. One of the pivotal moments that influenced my artistic direction was my exploration of the lingzhi mushroom. The profound interconnectedness of life I witnessed while studying its growth cycle resonated deeply with my beliefs. It symbolized the ever-evolving relationship humans share with the environment.

Additionally, the looming climate crisis, which has become increasingly imminent in our times, further solidified my resolve to create art that speaks to the urgency of respecting and understanding our natural environment. I recognized art's potential as a medium to bridge knowledge and emotion, stirring collective consciousness towards the planet's well-being.

What values do you try to uphold within your work?

My work is deeply rooted in the belief of interconnectedness, emphasizing that everything in our universe—whether living or inanimate—is woven together in a delicate tapestry of existence. This understanding shapes the narratives and mediums I choose, aiming to highlight the symbiotic relationships between humans, nature, and the broader cosmos. Drawing from my unique position as a Chinese-Canadian artist, I consistently merge the depth of Eastern
philosophy with Western perspectives. This cultural synthesis not only lends richness and diversity to my art but also allows me to engage with subjects from multiple angles, making them universally relatable. A profound respect for nature is evident in my work. The transformation of these natural elements into art isn't merely a celebration of their inherent beauty but an invitation to reflect on larger themes — the dance between fragility and resilience, nature's impermanence contrasted with human longing for permanence, and the intricate interplay between nature and culture. In crafting these pieces, I hope to inspire a deeper appreciation for the natural world and our profound interconnectedness within it, fostering a space for reflection, wonder, and personal connection.

What inspired you to begin exploring mycology in your work and create artworks with fungi and mushrooms in your work??

My journey into the world of mycology began with my interest of the rich history and cultural significance of the Lingzhi mushroom in Chinese traditions and folklore. Lingzhi dubbed the "mushroom of immortality" resonated with my own cultural background and my quest to explore the interconnectedness of life, death, and rebirth. The first time my work involved lingzhi was to cast the real lingzhi mushrooms into bronze. I see this as a profound act that merges the ephemeral with the eternal. The Lingzhi, revered in Chinese culture for its associations with immortality and good health, is by its very nature a transient organism. By transforming this delicate and temporary form into bronze, a durable and enduring material, capture and immortalize a moment in the mushroom's life cycle. This act speaks to our human desire to halt time, to preserve beauty, and to grapple with our own impermanence. It’s a juxtaposition between the transient nature of organic life and the lasting legacy of art and culture.

After this project, I had the idea of using lingzhi itself, a living organism, as both a medium and a collaborator. This presented a fresh challenge, pushing the boundaries of what art can be and how it can be created. Moreover, in an era where environmental concerns are paramount, mushrooms symbolize hope and sustainable solutions, with their potential to decompose pollutants, offer alternative materials, and promote circular economies. This resonated with my desire to create art that not only speaks to our senses but also prompts reflection on our relationship with the natural world. Merging art with mycology became a metaphorical exploration for me—a way to delve into themes of growth, transformation, and the transient nature of existence.