The longest workshop I’ve ever had was five or six days. So to have nearly three weeks to work on it and change it every day is extraordinary. —Jake Heggie
I’mso grateful that CU NOW was introduced to me by the Eklund Opera Program and Leigh Holman more than a decade ago. Back then, I worked from scratch with composers and librettists—now, I sing commissioned works at major houses. CU NOW opened a new door for me. —Wei Wu
CU NOW is often a student’s first professional opportunity to implement their academically prepared skills in a familiar setting with Eklund Opera support staff. They grow new skills interfacing and developing with industry professionals, including those visiting from prominent opera companies and established artists. With every major opera house performing new opera, CU NOW offers our students an advantage in the current Golden Age of American Opera. CU NOW is funded exclusively by the generosity of donors.
Personnel
Leigh Holman, Founder + Artistic Director
Bud Coleman, CFIDirector
Nicholas Carthy, Music Director
Previous:
Jeremy Reger, Music Director (2015-2022)
Robert Spillman, Music Director (2010-2015)
Patrick Mason, CFI Founder, Managing Director (2014-2016)
Daniel Kellogg, CFI Managing Director (2017-2019)
CU NOW 2024
Gene Scheer returns to CU NOW as guest composer—alongside collaborating librettist Bill Van Horn—with “Polly Peachum,” a rollicking romantic musical comedy set in the early 1700s that depicts the intertwining worlds of government intrigue, London criminal life and the world of theatre. The story follows John Gay as he endeavors to bring his masterpiece “The Beggar’s Opera” to the stage. In the process, he crosses paths with Jonathan Wild—the foremost criminal mastermind in London—and his beguiling mistress Polly. As this fiery triangle develops and opening night approaches, Gay and his colleagues risk their lives and reputation for love, the bonds of friendship and to bring an enduring work of art to life.
Performances (all in the Music Theatre):
- Friday, June 14, 7:30 p.m.: Presentation of “Polly Peachum”
- Saturday, June 15, 7:30 p.m.: Composer Fellows’ Initiative (CFI) Scenes
- Sunday, June 16, 2 p.m.: Presentation of “Polly Peachum”
, guest composer
Gene Scheer’s work is noted for its scope and versatility.With the composer Jake Heggie, he has collaborated on many projects, including the critically acclaimed 2010 Dallas Opera world premiere, “Moby-Dick,” starring Ben Heppner as Captain Ahab; “Three Decembers” (Houston Grand Opera), which starred Frederica von Stade; and the lyric drama “To Hell and Back” (Philharmonia Baroque Orchestra), which featured Patti LuPone. Other works by Scheer and Heggie include “Camille Claudel: Into the fire,” a song cycle premiered by Joyce di Donato and the Alexander String Quartet.
Scheer worked as librettist with Tobias Picker on “An American Tragedy,” which premiered at the Metropolitan Opera in 2005 and on Therese Raquin which was produced by the Dallas Opera in 2001.
Other collaborations include the lyrics for Wynton Marsalis’s “It Never Goes Away,” featured in Marsalis’s work “Congo Square.” With the composer Steven Stucky, Scheer wrote the oratorio August 4, 1964, for the Dallas Symphony Orchestra. The work was nominated for a Grammy in 2012 for best classical composition.
In 2015, Scheer collaborated with Joby Talbot on the opera “Everest,” based on the doomed 1996 Everest expedition. With Jennifer Higdon, Scheer wrote an operatic adaptation of “Cold Mountain,” which premiered in the summer of 2015 at the Santa Fe Opera. This work won the International Opera award, presented in London, for the best World premiere in 2015. Recently, along with Higdon, Scheer was nominated for a Grammy for his work on “Cold Mountain” for best classical composition.
In December 2016, Scheer and Heggie premiered an operatic adaptation of “It’s a Wonderful Life” for the Houston Grand Opera.
Also a composer in his own right, Scheer has written a number of songs for singers such as Renée Fleming, Sylvia McNair, Stephanie Blythe, Jennifer Larmore, Denyce Graves and Nathan Gunn.
The distinguished documentary filmmaker, Ken Burns, prominently featured Scheer’s song “American Anthem” (as sung by Norah Jones) in his Emmy Award-winning World War II documentary for PBS entitled “The War.”
Bill Van Horn, guest librettist
Polly Peachum
John Gay | Tommy Bocchi |
John Wilde | Sam Wetzel |
Polly Peachum | Kailyn Martino |
Swift (poet) and Clark | Miguel Ortega Bañales |
Pope (poet) and Harry (Wilde’s assistant) | Reese Phillips |
Arbuthnot (poet) and Officer | Ben Axlund |
Walpole The first Prime Minister of England |
Marcus Schaller |
Pennington and Reverend Moore (pants role/ham actor) |
Sarah Cain |
The Duchess and Mrs. Ditchit | Melissa Lubecke |
Princess Caroline and Livinia | Rebecca Seifert |
Since 2014, the Composer Fellows’ Initiative (CFI) inspires College of Music composition students to explore the opera medium through professional mentorship of visiting CU NOW composers and librettists.
Participating composers’short opera scenes develop under the guidance of CU NOW industry titans and are then rehearsed, staged, costumed and performed within the summer festival of CU NOW ... and beyond. CFI scenes from the 2023 CU NOW workshop were featured in concert byCU Boulder SoundWorks.
2024 CFI artistspresenting scenes by Alan Mackwell, Holly McMahon and Joshua Maynard:
Soprano |
Kristina Butler |
Mezzo |
Alleigh Watson |
Tenor |
Simeon Wallace |
Baritone |
Max Vann |
Recent workshops
“The Spare Room With the Shag Rug”—Ilan Blanck
“RuPaul’s Drag Race Allstars” (Season 2: Phi Phi vs. Alyssa)—Jessie Lausé(music), libretto adapted from “RuPaul’s Drag Race” (Season 2: Episodes 4 and 5)
“Fragments”—James Morris (music), Nnamdi Nwankwo (libretto)
“Vindicta” (Act 1, Scene 3)—Chase Church
“As You Like It” (Act 1, Scene 1)—Kevin Gunia (adapted from William Shakespeare)
“Perspective” (An opera in one act)—Ben Morris (music), Nnamdi Nwankwo (libretto)
“Dear Love”—Margaret R. Friesen
“Incense and Embers”—Brian Lambert
“Look What We’ve Done”—Dianna Link
“..”—John Boggs
“”—Margaret R. Friesen
“”—Elena Specht
“”—John Clay Allen
“”—Kevin Michael Olson
“”—Elena Specht
“Dame Not Lady”—Selena (now Silen)Wellington
“The Pansophony Codex”—Aidan Patrick Cook
“”—Kevin Olson
“Element 88”—Trevor Villwock
“”—Selena (now Silen) Wellington
“Dreams of Stonewall"—Daniel Cox
“Opera Scene”—Ryan Dakota Farris
“President Chair”—Brian D. Kelly
“Behrouz, An Untold Story”—Egemen Kesikli
“Murder Scene”—K.D. Mueller
“The Frisco Devil”—Ryan T. Connell
“Who’s Afraid of Oscar Wilde”—Dan Cox
“A Doll’s House”—Raechel Sherwood
“Seven Against Thebes”—Trevor Villwock
News + ovations
- (June 16, 2023, CPR News)
- (June 14, 2023, Sharps & Flatirons)
- Summer Intensive (August 2019, Opera News)
“New operas are performed in every major opera house. I’m so grateful that CU NOW was introduced to me by the Eklund Opera Program and Leigh Holman more than a decade ago. Back then, I worked from scratch with composers and librettists—now, I sing commissioned works at major houses. CU NOW opened a new door for me.”
—Wei Wu (MMus ’13),Grammy Award-winning bass; CU NOW singer 2011-2014
“I became a modern American opera enthusiast after creating the role of Krystyna Zywulska in the collegiate premiere of Jake Heggie and Gene Scheer’s ‘Out of Darkness: Two Remain’ at LSU in 2019. While I was researching and applying to graduate programs, a family friend sent me an article in Opera News about an exciting new opera program (CU NOW) where both Heggie and Scheer workshopped their new works with graduate students at the University of babyֱapp Boulder.Before reading that article, CU Boulder wasn’t even on my radar. However, the prospect of getting new works on their feet with two of my heroes was an absolute dream I couldn’t pass up. I decided to pursue my graduate studies at CU Boulder in the hopes of being able to participate in CU NOW.My educational dreams were realized after my first year at CU Boulder when I was cast in the CU NOW CFI Scenes program where I created three separate roles in fully-staged and costumed scenes written by composition students under the close mentorship of both Scheer and Tom Cipullo.Having worked directly with such industry greats was the opportunity of a lifetime—an opportunity that inspired me to commission works to raise awareness about homelessness in a project I'm currently working on with two of the composition students from CFI last summer.Truly, my experience with CU NOW has been a pinnacle of my music education as a whole and I hope that it serves as a template for other institutions to follow.The future of our art form depends on it.”
—Savannah Scott, student singer 2022
“Leigh Holman’s CU NOW is unique, not only for its format but also for its impact.The workshop combines some of the nation’s most important composers–including Jake Heggie, Mark Adamo, Lori Laitman and Kamala Sankaram–with the time and resources they need to craft and revise the next generation of operatic masterworks.As the guiding force behind every aspect of the workshop, Holman has made a major contribution to the field of contemporary American vocal music. In its scope and duration, as well as in the quality of its preparation and presentation, there is not another program like CU NOW in the nation. Those that love opera and wish to see it thrive in the 21st-century thank the stars for CU NOW and for Leigh Holman. Of course, when you work with young people, that’s extra special. The enthusiasm and energy that I get from them is a really great joy.”
—Tom Cipullo,composer of “Glory Denied”(2007) based on the true story of America’s longest-held prisoner of war. With over 20 productions, the piece is one of the most frequently performed operas of the 21st-century.
“All sorts of possibilities emerge, but they can really only emerge when you actually see it on its feet.”
—Gene Scheer,composer, librettist and songwriter with multiple Grammy Award nominations. Frequent collaborator of Jake Heggie and other prominent creators including Wynton Marsalis and Jennifer Higdon. .
—Jake Heggie
—Mark Adamo, whofirst attracted national attention with his uniquely celebrated début opera, “Little Women,”after the Louisa May Alcott novel. Introduced by the Houston Grand Opera in 1998 and revived there in 2000, “Little Women”is one of the most frequently performed American operas of the last 15 years, with more than 135 national and international engagements.
—Herschel Garfein, two-time Grammy Award winner Herschel Garfein is active as a composer, librettist and stage director. In 2012-13, he earned an NYU Teaching Excellence Award.
—Mark Campbell whose Pulitzer Prize- and Grammy Award-winning operas of are among the most successful in the contemporary canon.A prolific writer and librettist/lyricist, Campbell has created more than 40 opera librettos, as well as lyrics for musicals, and the text for song cycles and oratorios.
—Zach Redler,composer and babyֱapp at NYU Tisch’s Graduate Music Theater Writing Program.
—Egemen Kesikli,2015 CFI student composernow on babyֱapp at CU Boulder and CSU.
—Silen Wellington
“CU NOW is one of the great examples of how contemporary American opera has established its place in the operatic ecosystem. The opportunity for music students to work alongside living composers and librettists, and for those creators to hear their work performed live, is an invaluable combination. Houston Grand Opera has had two workshops with CU NOW, both of which were essential to the creative process for each opera. The work that the Eklund Opera Program has done to build a program of artistic excellence and exploration already has and will continue to enhance the world of opera and the musical lives of so many.”
—Jeremy Johnson, Associate Director of New Works, Houston Grand Opera